Dorrigo Evans is a surgeon, one of the Australian POWs who are dying as they build the Burmese railway, a brutally Sisyphean task, under the Japanese, who are having a wretched time of it, as well. The camp commander, an amphetamine addict, has orders to build a railway, and those issuing the orders are not looking for excuses—monsoon rains, malnutrition, disease, and prisoners dying without replacements—they want to see that narrow road to the deep north.
And those few who survived? Whether Japanese or Australian, the extent of their survival is questionable. They are effectively ruined.
Choi Sang-Min was a Korean guard serving in the Japanese Army; whether he was one of the many forcibly conscripted is unclear, but he is clearly bitter that his Japanese compatriots look down upon him. As he sits in Changi Prison, awaiting his hanging, he reflects on his role in the POW camp, and in the war.
That had made him something and someone, if only for as long as the Australians crumpled and moaned. He was vaguely aware that some had died because of his beatings. They probably would have died anyway. It was that sort of place and that sort of time, and no amount of thinking made any more or less sense of what had happened. Now his only regret was that he had not killed many more. And he wished he had taken more pleasure in the killing, and in the living that was so much part of the killing.
As the Australians talked to each other during the trial, it dawned on Choi Sang-min that this was something beyond hate. It was a certainty about life that he had never had but that the Japanese above him had always had. And when he had been given power over the life and death of the Australians, he had at first beaten them only because it was the Japanese way that he had been brought up with, and he saw nothing remarkable about thrashing a man who you felt was too slow or shirking work.
At Pusan he had undergone the same strict military training as that for Imperial Japanese Army privates. Only they were not Japanese, they were all Koreans and were never to be soldiers: their job was to be guarding enemy soldiers who had surrendered because they were too cowardly to kill themselves.
And in truth the prisoners deserved what they got. They tried to avoid work, and when they couldn’t avoid it they did it badly and lazily. Though they did it much less, they would still sometimes whistle or sing when he was about. They stole anything and everything—food, tools and money. If they could do a job badly they saw it as a triumph. They were skin and bones, and they’d just give up while they were working and die there on the railway. They’d die walking to work and they’d die walking back from work. They’d die sleeping, they’d die waiting for food. Sometimes they died when you beat them.
It made Choi Sang-min angry with the world and with them when they died. It made him angry because it wasn’t his fault that there was no food or medicine. It wasn’t his fault that there was malaria and cholera. It wasn’t his fault that they were slaves. There was fate, and it was their fate and his fate to be there, it was their fate to die there and his fate to die here. He just had to provide whatever number of men the Japanese engineers needed each day, make sure they got to work and kept at the work the Japanese engineers wanted done. And he did his job. There was no food and no medicine and the line had to be built and the job had to be done and things ended up as they were always going to end up for them and for him. But he did these things, he did his job and their section of line got built. And Choi Sang-min was proud of that achievement, the only achievement he had ever known in his short life. He did these things, and these things felt good.
