Saturday, September 21, 2013

Pigeon English, by Stephen Kelman


I began this book with some trepidation, thinking I'd read another of Stephen Kelman's books and disliked it.  (In fact I was confusing him with the Scottish author James Kelman, whose novel The Bus Conductor Hines was so peppered with Glaswegian slang and profanity that it was quite possibly more unpleasant to read than it would be to work as a bus conductor in Glasgow.)

But no, this is Englishman Stephen Kelman, and Pigeon English is his debut novel.  I loved it, as did the Man Booker Prize committee members, as they voted the book onto their short list in 2011.

The narrator is 11 year-old Harrison Opoku, who has come to urban England from Ghana with his mother and older sister, Lydia.  Asweh, but this boy is lovable!  He loves most people, especially his baby sister (still in Ghana with their father), and his pretty blonde schoolmate Poppy (which he indicated in his reply when she passed him a note saying, "Do you like me?" with Yes and No check-boxes for his convenience). He loves certain trees, and pigeons, most notably the one with whom he converses when he's sneaking food out onto the balcony for it. The pigeon reciprocates by keeping an eye on Harrison as he navigates the perils of his neighbourhood, which include gangs of toughs.  When another youngster is found stabbed to death, Harrison and his friend Jordan set to work as amateur detectives, gathering evidence to help solve the crime.

As I made my way into this novel, I felt the sort of trepidation one might feel watching a young gymnast on the balance beam, alternately wondering what she might do next and praying she doesn't fall on her face. I wondered, would Kelman try a double back-flip and lapse into a saccharine-sweet childhood memoir, or would he attempt an aerial walkover and write Harrison into a black bog of urban violence and hopelessness?  To my enormous relief, he pulled it off, staying well away from both twee and dismal.

I don't remember what it's like to be 11, but Stephen Kelman obviously does. Harrison is proud to be the "second fastest boy" in his school, and he's keenly aware of his footwear, drawing some Adidas stripes on his no-name athletic shoes with magic markers, to the derision of his mates. He quickly picks up on the cultural mores in his new land and rattles off a litany of facts he's acquired.
Some rules I have learned from my new school: No running on the stairs. No singing in class. Always put your hand up before you ask a question. Don't swallow the gum or it will get stuck in your guts and you'll die. Jumping in the puddle means you're a retard (I don't even agree with this one). Going around the puddle means you're a girl. The last one in close the door. The first one to answer the question loves the teacher. If a girl looks at you three times in a row it means she loves you. If you look at her back you love her. He who smelt it dealt it. He who denied it supplied it. He who sensed it dispensed it. He who knew it blew it. He who noted it floated it. He who declared it aired it. He who spoke it broke it. He who exposed it composed it. He who blamed it flamed it. (All these are just for farts.) If you look at the back of a mirror you'll see the devil. Don't eat the soup. The dinner ladies pissed in it. Don't lend Ross Kelly your pen. He picks his arse klinkers with it. Keep to the left (everywhere). The right is out of bounds. The library stairs are safe. If he wears a pinky ring he's a gay (a pinky ring is a ring on your little finger). If she wears a bracelet on her ankle she's a lesbian (shags it up with other ladies). There are more but my memory ran out.
Harrison struggles to make sense of his older sister's teen-aged friends, and through his eyes we see Lydia also trying to find her way in this strange new place. Their aunt is involved with a shady, violent man; she frequently bumps her face into cabinet doors or breaks her leg when stumbling. Harrison, however, keeps himself busy gathering evidence -- fingerprints on adhesive tape, for example -- to solve the murder, always confident that he can outsmart or outrun the evil.  The gangs, however, are omnipresent, and although Harrison tries to give them a wide berth, he can't always avoid them entirely. Calling him simply "Ghana", the older boys challenge him to join them in petty (and not so petty crimes), and they make it clear that he's failed a test by running away from the scene when they assault the pastor of his family's church.

Harrison is at a magical age: He is a good boy, still untainted by the ugliness around him. He has the whimsical imagination of a child, marvelling at the mysterious and stupid things that adults do as he pieces together his world view. In his science class, Harrison suggests that a volcano is Hell incarnate, which triggers a meditation on metaphysics for 11 year-olds.
Me: "But really it's Hell down there, isn't it sir." Mr Carroll: "That's an interesting theory. It's definitely as hot as hell, that's for sure." Everybody was laughing at me. They don't believe in Hell around here. Asweh, they're in for a nasty surprise! They're going to get burned up like human toast! In the early times they thought a fire god lived inside the volcano. He'd only stop throwing fire at them if they threw a virgin in the volcano for the god to eat. They thought there was a different god in everything. They thought there was a sky god and a tree god and a volcano god and a sea god. All their gods were angry all the time. They had to keep feeding them or they'd destroy them. The sea god would make a flood or the sky god would rain lightning on you or the tree god would fall on your house. They were always going to destroy you unless you fed them with virgins. Asweh, early-times people were very stupid. A virgin is a lady who isn't married yet. They'e prized because they're so rare. Only the gods can eat them. Married ladies gave them the shits. Everybody agreed.
Kelman so completely reverted to the mindset of an 11 year-old  that he gives no hint of typical adult reaction to events. Harrison looks at the violence around him with curiosity and perhaps only a slight tinge of fear. And his trusty pigeon consoles him: "Thank you. I like you too, I always did. There's nothing to be scared of."


Saturday, September 14, 2013

Zealot: The Life and Times of Jesus of Nazareth, by Reza Aslan

A friend recently posted a link to an Al-Jazeera interview session with Reza Aslan, conducted following what was said to have been a hostile, vitriolic interview with a CNN "journalist" who repeatedly demanded to know how or why a Muslim could possibly write a book about Jesus. Obviously, the simple notion that he is a scholar didn't occur to her. The calibre of the panel on Al-Jazeera, I'm sad to say, wasn't much higher though more civil.  I was very impressed, however, with the author, who calmly explained that he is Muslim simply because the "language" of Islam is the one that happens to work for him -- he sees all religions as roads to the same destination, not as destinations in and of themselves. To which I reply, Hallelujah!

Probably driven by the media furor, Zealot has ascended (sorry, can't help myself) to the top of the New York Times best-seller list.  Having now read it, I'm willing to bet that it's one of the most-bought-and-least-read books since Umberto Eco's Foucault's Pendulum.  Aslan is an academic. Though rich with drama and written for a broader audience, this book is a history text. Readers with faith-fuelled agendas or grudges will come away thwarted. Those who are in search of new information about the historical Jesus will also realise that there is none.  There is very little in the historical record about the man, and the gospels -- whether canonical or otherwise -- are documents of faith, not of fact. (More on that shortly.)  As for me, Zealot drove me to look at both Jesus and the gospels yet again in the context of 1st-century Palestine -- and both looked different in that historic setting.

The young Reza Aslan migrated with his family to the US from Iran. He opens the book with a very personal account of his relationships with religion. Still a boy, he passionately embraced Christianity and then, as so many of us did, angrily rejected it when too many aspects conflicted with reason. Eventually, he chose Islam as his own vehicle of faith, but he never lost his passion for Jesus of Nazareth -- Jesus the Zealot, the rebel, before he became known, posthumously, to his followers as Jesus the Christ.
Like most people born into a religious tradition, my faith was as familiar to me as my skin, and just as disregardable...
I began eagerly to share the good news of Jesus Christ with my friends and family, my neighbors and classmates, with people I'd just met and with strangers on the street: those who heard it gladly, and those who threw it back in my face. Yet something unexpected happened in my quest to save the souls of the world. The more I probed the Bible to arm myself against the doubts of unbelievers, the more distance I discovered between the Jesus of the gospels and the Jesus of history -- between Jesus the Christ and Jesus of Nazareth.
The sudden realization that this belief is patently and irrefutably false, that the Bible is replete with the most blatant and obvious errors and contradictions -- just as one would expect from a document written by hundreds of hands across thousands of years -- left me confused and spiritually unmoored. And so, like many people in my situation, I angrily discarded my faith as if it were a costly forgery I had been duped into buying... 
Ironically, the more I learned about the life of the historical Jesus, the turbulent world in which he lived, and the brutality of the Roman occupation that he defied, the more I was drawn to him. Indeed, the Jewish peasant and revolutionary who challenged the rule of the most powerful empire the world had ever known and lost became so much more real to me than the detached, unearthly being I had been introduced to in church...  Today, I can confidently say that two decades of rigorous academic research into the origins of Christianity has made me a more genuinely committed disciple of Jesus of Nazareth than I ever was of Jesus Christ.
The problem for any scholar of the historical Jesus is, of course, the paucity of documents.  The epistles and gospels, whether canonical or Gnostic, possibly relate a few actual events, but they were never intended as a record of  facts. In fact, Aslan notes, the idea would have struck the writers as foreign.
This is an extremely difficult matter for modern readers of the gospels to grasp, but Luke never meant for his story about Jesus's birth at Bethlehem to be understood as historical fact. Luke would have had no idea what we in the modern world even mean when we say the word "history." The notion of history as a critical analysis of observable and verifiable events in the past is a product of the modern age; it would have been an altogether foreign concept to the gospel writers for whom history was not a matter of uncovering facts, but of revealing truths...
...The first written testimony we have about Jesus of Nazareth comes from the epistles of Paul, an early follower of Jesus who died sometime around 66 C.E. (Paul's first epistle, 1 Thessalonians, can be dated between 48 and 50 C.E., some two decades after Jesus's death.) The trouble with Paul, however, is that he displays an extraordinary lack of interest in the historical Jesus... Paul may be an excellent source for those interested in the early formation of Christianity, but he is a poor guide for uncovering the historical Jesus.
...the gospels are not, nor were they ever meant to be, a historical documentation of Jesus's life. These are not eyewitness accounts of Jesus's words and deeds recorded by people who knew him. They are testimonies of faith composed by communities of faith and written many years after the events they describe. Simply put, the gospels tell us about Jesus the Christ, not Jesus the man.
The earliest of the four canonical gospels, Mark, was written about 40 years after Jesus' crucifixion. It contains the least "supernatural" material, which evidently frustrated the earliest Christians.
Even the earliest Christians were left wanting by Mark's brusque account of Jesus's life and ministry, and so it was left to Mark's successors, Matthew and Luke, to improve upon the original text. Two decades after Mark, between 90 and 100 C.E., the authors of Matthew and Luke, working independently of each other and with Mark's manuscript as a template, updated the gospel story by adding their own unique traditions, including two different and conflicting infancy narratives as well as a series of elaborate resurrection stories to satisfy their Christian readers. Matthew and Luke also relied on what must have been an early and fairly well distributed collection of Jesus' sayings that scholars have termed Q (German Quelle, or "source"). Although we no longer have any physical copies of this document, we can infer its contents by compiling those verses that Matthew and Luke share in common but that do not appear in Mark.
 ...In the end, there are only two hard historical facts about Jesus of Nazareth upon which we can confidently rely: the first is that Jesus was a Jew who led a popular Jewish movement in Palestine at the beginning of the first century C.E.; the second is that Rome crucified him for doing so.  
Essential to any understanding of Jesus is grasping the fact that he was a Jew living under Roman occupation. Words like zealot, revolutionary, rebel and seditious gadfly are unavoidable.
The notion that the leader of a popular messianic movement calling for the imposition of the"Kingdom of God" -- a term that would have been understood by Jew and gentile alike as implying revolt against Rome --could have remained uninvolved in the revolutionary fervor that had gripped nearly every Jew in Judea is simply ridiculous.
The gospel images of Jesus as a Gandhi-esque pacifist are either incomplete or completely inaccurate. Why this softened profile? The Romans retaliated for the Jewish rebellion (which finally came about decades after Jesus' crucifixion) with devastating violence. The few Jews who survived it were no longer inclined to think fondly of the zealots who had driven the revolt.
Why would the gospel writers go to such lengths to temper the revolutionary nature of Jesus's message and movement? To answer this question we must first recognize that almost every gospel story written about the life and mission of Jesus of Nazareth was composed after the Jewish rebellion against Rome in 66 C.E. In that year, a band of Jewish rebels, spurred by their zeal for God, roused their fellow Jews in revolt. Miraculously, the rebels managed to liberate the Holy Land from the Roman occupation. For four glorious years, the city of God was once again under Jewish control. Then, in 70 C.E., the Romans returned. After a brief siege of Jerusalem, the soldiers breached the city walls and unleashed an orgy of violence upon its residents. They butchered everyone in their path, heaping corpses on the Temple Mount. A river of blood flowed down the cobblestone streets. When the massacre was complete, the soldiers set fire to the Temple of God. The fires spread beyond the Temple Mount, engulfing Jerusalem's meadows, the farms, the olive trees. Everything burned. So complete was the devastation wrought upon the holy city that Josephus writes there was nothing left to prove Jerusalem had ever been inhabited. Tens of thousands of Jews were slaughtered. The rest were marched out of the city in chains. The spiritual trauma faced by the Jews in the wake of that catastrophic event is hard to imagine. Exiled from the land promised them by God, forced to live as outcasts among the pagans of the Roman Empire, the rabbis of the second century gradually and deliberately divorced Judaism from the radical messianic nationalism that had launched the ill-fated war with Rome.
Moreover, the early Christians were now on missions to convert gentiles across the Roman world, and it was helpful to have a message (and a Jesus) who was more palatable to the Romans.
The Christians, too, felt the need to distance themselves from the revolutionary zeal that had led to the sacking of Jerusalem, not only because it allowed the early church to ward off the wrath of a deeply vengeful Rome, but also because, with the Jewish religion having become pariah, the Romans had become the primary target of the church's evangelism.  
...Thus began the long process of transforming Jesus from a revolutionary Jewish nationalist into a peaceful spiritual leader with no interest in any earthly matter. That was a Jesus the Romans could accept, and in fact did accept three centuries later when the Roman emperor Flavius Theodosius (d. 395) made the itinerant Jewish preacher's movement the official religion of the state, and what we now recognize as orthodox Christianity was born.
... The common depiction of Jesus as an inveterate peacemaker who "loved his enemies" and "turned the other cheek" has been built mostly on his portrayal as an apolitical preacher with no interest in or, for that matter, knowledge of the politically turbulent world in which he lived. That picture of Jesus has already been shown to be a complete fabrication. The Jesus of history had a far more complex attitude toward violence. There is no evidence that Jesus himself openly advocated violent actions. But he was certainly no pacifist. 
Aslan repeatedly reminds us that Jesus was a Jew, and to grasp his mindset, we must examine the culture in which he lived, including the central place the Temple occupied in the society -- only then can we see the relevance of Jesus' rage when he wrought havoc there, in one of the final acts of defiance before his arrest.
Unlike their heathen neighbors, the Jews do not have a multiplicity of temples scattered across the land. There is only one cultic center, one unique source for the divine presence, one singular place and no other where a Jew can commune with the living God. Judea is, for all intents and purposes, a temple-state. The very term 'theocracy' was coined specifically to describe Jerusalem.
The Temple, and its exclusive (and often corrupt) clique of high priests, had become puppets of the Romans, which infuriated the Jews who felt that the sanctity of the Temple was compromised -- it was becoming something that belonged more to Caesar, less to God.
If the Romans wanted to control the Jews, they had to control the Temple. And if they wanted to control the Temple, they had to control the high priest, which is why, soon after taking control over Judea, Rome took upon itself the responsibility of appointing and deposing (either directly or indirectly) the high priest, essentially transforming him into a Roman employee. Rome even kept custody of the high priest's sacred garments, handing them out only on the sacred festivals and feast days and confiscating them immediately after the ceremonies were complete.
Looking at the atmosphere in Judea at the time of Jesus is illuminating. The gospels, all written at least 40 years after Jesus' death circa 33 CE, give us little historical fact about the life of Jesus, but I always find it interesting to learn more about why they contain what they do.  Mark, the earliest of the gospels, opens with Jesus' baptism by John the Baptist -- there is no birth narrative. Matthew and Luke, the next two gospels, do include birth narratives, but they conflict in several regards. Each evangelist took different steps to make the point that this child was in fact the Messiah whose coming had been prophesied.
Matthew has Jesus flee to Egypt to escape Herod's massacre not because it happened, but because it fulfills the words of the prophet Hosea: "Out of Egypt I have called my son" (Hosea 11:1). The story is not meant to reveal any fact about Jesus; it is meant to reveal this truth: that Jesus is the new Moses, who survived Pharaoh's massacre of the Israelites'sons, and emerged from Egypt with a new law from God (Exodus 1:22).
...Luke places Jesus's birth in Bethlehem not because it took place there, but because of the words of the prophet Micah: "And you Bethlehem -- from you shall come to me a ruler in Israel" (Micah 5:2). Luke means that Jesus is the new David, the King of the Jews, placed on God's throne to rule over the Promised Land. Simply put, the infancy narratives in the gospels are not historical accounts, nor were they meant to be read as such. They are theological affirmations of Jesus's status as the anointed of God. The descendant of King David. The promised messiah.
One of the points that Aslan hammers repeatedly is that Jesus of Nazareth was a peasant from a small, backwater village, and almost certainly illiterate. That he had as much impact as he did is remarkable, but the gospels again inflate his status.
Whatever languages Jesus may have spoken, there is no reason to think he could read or write in any of them, not even Aramaic. Luke's account of the twelve-year-old Jesus standing in the Temple of Jerusalem debating the finer points of the Hebrew Scriptures with rabbis and scribes (Luke 2:42-52), or his narrative of Jesus at the (nonexistent) synagogue in Nazareth reading from the Isaiah scroll to the astonishment of the Pharisees (Luke 4:16-22), are both fabulous concoctions of the evangelist's own devising. Jesus would not have had access to the kind of formal education necessary to make Luke's account even remotely credible.
...After Jesus was declared messiah, the only aspects of his infancy and childhood that did matter were those that could be creatively imagined to buttress whatever theological claim one was trying to make about Jesus's identity as Christ.
Jesus isn't the only one to get a make-over in the gospels. Pilate is whitewashed to look like a reluctant participant in Jesus' crucifixion (this once again making the new sect more appealing to would-be Roman converts).  The historical record suggests that Pilate and Jewish high priest Caiaphas collaborated to keep the peace in Jerusalem and would have been equally motivated to dispose of seditious rabble-rousers.
The gospels present Pilate as a righteous yet weak-willed man so overcome with doubt about putting Jesus of Nazareth to death that he does everything in his power to save his life, finally washing his hands of the entire episode when the Jews demand his blood. That is pure fiction. What Pilate was best known for was his extreme depravity, his total disregard for Jewish law and tradition, and his barely concealed aversion to the Jewish nation as a whole. During his tenure in Jerusalem he so eagerly, and without trial, sent thousands upon thousands of Jews to the cross that the people of Jerusalem felt obliged to lodge a formal complaint with the Roman emperor.
...But whereas Gratus appointed and dismissed five different high priests in his time as governor, throughout Pilate's decade-long tenure in Jerusalem, he had only one high priest to contend with: Joseph Caiaphas. Part of the reason Caiaphas was able to hold the position of high priest for an unprecedented eighteen years was because of the close relationship he ended up forging with Pontius Pilate. The two men worked well together. The period of their combined rule, from 18 C.E. to 36 C.E., coincided with the most stable period in the entire first century. Together they managed to keep a lid on the revolutionary impulse of the Jews by dealing ruthlessly with any hint of political disturbance, no matter how small.
Thus, Jesus' tantrum in the temple -- raging against the money-lenders and other vendors within -- was an insufferable act of rebellion in the eyes of the Roman occupiers and the priests who were colluding with them.
After all, an attack on the business of the Temple is akin to an attack on the priestly nobility, which, considering the Temple's tangled relationship with Rome, is tantamount to an attack on Rome itself. ... But look closely at Jesus's words and actions at the Temple in Jerusalem -- the episode that undoubtedly precipitated his arrest and execution -- and this one fact becomes difficult to deny: Jesus was crucified by Rome because his messianic aspirations threatened the occupation of Palestine, and his zealotry endangered the Temple authorities. That singular fact should color everything we read in the gospels about the messiah known as Jesus of Nazareth.
... Like his zealous predecessors, Jesus was less concerned with the pagan empire occupying Palestine than he was with the Jewish imposter occupying God's Temple. Both would come to view Jesus as a threat, and both would seek his death. But there can be no doubt that Jesus's main antagonist in the gospels is neither the distant emperor in Rome nor his heathen officials in Judea. It is the high priest Caiaphas, who will become the main instigator of the plot to execute Jesus precisely because of the threat he posed to the Temple's authority.  
And what of John the Baptist? Aslan concludes that he was a highly popular and respected preacher preceding Jesus, who probably indeed began as one of John's disciples. Their blood relationship as related in Luke's gospel is fictional, as is the tale of Salome demanding the Baptist's head. I write that with a pang, as Mary's visitation to her cousin Elizabeth -- prompting the Magnificat -- and Herod Antipas presenting the bloody prize to his wife and step-daughter on a platter are two of my most cherished New Testament scenes.  (I did, however, climb up to the ruins of Machaerus in Jordan in 2005, which is the fortress in which scholars believe John was in fact executed, with or without Salome's connivance. It's a haunting spot.)
John's warning of the coming wrath of God might not have been new or unique in first-century Palestine, but the hope he offered those who cleansed themselves, who made themselves anew and pursued the path of righteousness, had enormous appeal. John promised the Jews who came to him a new world order, the Kingdom of God. And while he never developed the concept beyond a vague notion of equality and justice, the promise itself was enough in those dark, turbulent times to draw to him a wave of Jews from all walks of life -- the rich and the poor, the mighty and the weak. Antipas was right to fear John; even his own soldiers were flocking to him. He therefore seized John, charged him with sedition, and sent him to the fortress of Machaerus, where the Baptist was quietly put to death sometime between 28 and 30 C.E.
Despite his fame, however, no one seems to have known then -- just as no one knows now -- who, exactly, John the Baptist was or where he had come from. ... If John's baptism was for the forgiveness of sins, as Mark claims, then Jesus's acceptance of it indicated a need to be cleansed of his sins by John. If John's baptism was an initiation rite, as Josephus suggests, then clearly Jesus was being admitted into John's movement as just another one of his disciples. This was precisely the claim made by John's followers, who, long after both men had been executed, refused to be absorbed into the Jesus movement because they argued that their master, John, was greater than Jesus. After all, who baptized whom?
Reza Aslan doesn't quail about referring to Jesus as a miracle-worker, as it was a well-recognised occupation at the time. He also makes plain that this was in direct contrast to the Temple priests, who would not touch the diseased or crippled for fear of contamination and who demanded fees for those they would attempt to heal. This, Jesus' story of the Good Samaritan suggests, is the ultimate hypocrisy, the supreme disregard for the law to love they neighbour as theyself.
In first-century Palestine, professional wonder worker was a vocation as well established as that of woodworker or mason, and far better paid. ... Yet from the perspective of the Galileans, what set Jesus apart from his fellow exorcists and healers is that he seemed to be providing his services free of charge.
How one in the modern world views Jesus's miraculous actions is irrelevant. All that can be known is how the people of his time viewed them. And therein lies the historical evidence. For while debates raged within the early church over who Jesus was -- a rabbi? the messiah? God incarnate? -- there was never any debate, either among his followers or his detractors, about his role as an exorcist and miracle worker.
The very purpose of designing the Temple of Jerusalem as a series of ever more restrictive ingressions was to maintain the priestly monopoly over who can and cannot come into the presence of God and to what degree. ... With every leper cleansed, every paralytic healed, every demon cast out, Jesus was not only challenging that priestly code, he was invalidating the very purpose of the priesthood.
Much as the gospels would have us believe that Jesus was preaching universal truths to all humanity, Aslan reminds us of the difference between Jesus of Nazareth and Jesus the Christ -- the man cannot be removed from his historical context or social environment. The man was a Jewish revolutionary.
After the Jewish Revolt and the destruction of Jerusalem, the early Christian church tried desperately to distance Jesus from the zealous nationalism that had led to that awful war. As a result, statements such as "love your enemies" and "turn the other cheek" were deliberately cleansed of their Jewish context and transformed into abstract ethical principles that all peoples could abide regardless of their ethnic, cultural, or religious persuasions. Yet if one wants to uncover what Jesus himself truly believed, one must never lose sight of this fundamental fact: Jesus of Nazareth was first and finally a Jew.
He insisted that his mission was "solely to the lost sheep of the house of Israel" (Matthew 15:24) and commanded his disciples to share the good news with none but their fellow Jews: "Go nowhere near the gentiles and do not enter the city of the Samaritans" (Matthew 10:5-6).
To the Israelites, as well as to Jesus's community in first-century Palestine, "neighbor" meant one's fellow Jews. With regard to the treatment of foreigners and outsiders, oppressors and occupiers, however, the Torah could not be clearer: "You shall drive them out before you. You shall make no covenant with them and their gods. They shall not live in your land." (Exodus 23:31-33).
If Christ is divine, then he stands above any particular law or custom. But for those seeking the simple Jewish peasant and charismatic preacher who lived in Palestine two thousand years ago, there is nothing more important than this one undeniable truth: the same God whom the Bible calls "a man of war" (Exodus 15:3), the God who repeatedly commands the wholesale slaughter of every foreign man, woman, and child who occupies the land of the Jews, the "blood-spattered God" of Abraham, and Moses, and Jacob, and Joshua (Isaiah 63:3), the God who "shatters the heads of his enemies" bids his warriors to bathe their feet in their blood and leave their corpses to be eaten by dogs (Psalms 68:21-23) -- that is the only God that Jesus knew and the sole God he worshipped.
The Jews of 1st-century Palestine were waiting for a Messiah to liberate them from the occupation du jour. Jesus proved to be an illiterate peasant who was executed in the most disgraceful fashion for sedition. This hardly met anyone's idea of a saviour.
The problem for the early church is that Jesus did not fit any of the messianic paradigms offered in the Hebrew Bible, nor did he fulfill a single requirement expected of the messiah. Jesus spoke about the end of days, but it did not come to pass, not even after the Romans destroyed Jerusalem and defiled God's Temple. He promised that God would liberate the Jews from bondage, but God did no such thing. He vowed that the twelve tribes of Israel would be reconstituted and the nation restored; instead, the Romans expropriated the Promised Land, slaughtered its inhabitants, and exiled the survivors. The Kingdom of God that Jesus predicted never arrived; the new world order he described never took shape. According to the standards of the Jewish cult and the Hebrew Scriptures, Jesus was as successful in his messianic aspirations as any of the other would-be messiahs.
...Regardless of how Jesus viewed himself, the fact remains that he was never able to establish the Kingdom of God. The choice for the early church was clear: either Jesus was just another failed messiah, or what the Jews of Jesus's time expected of the messiah was wrong and had to be adjusted. For those who fell into the latter camp, the apocalyptic imagery of 1 Enoch and 4 Ezra, both written long after Jesus's death, paved a way forward, allowing the early church to replace Jesus's understanding of himself as king and messiah with a new, post-Jewish Revolt paradigm of the messiah as a preexistent, predetermined, heavenly, and divine Son of Man, one whose"kingdom" was not of this world.
As the early Christians began to spread the word, they found the few surviving Jews in Palestine (following the Roman siege which ended the Jewish rebellion)  rather more receptive to the message than they had been earlier.
With the Temple in ruins and the Jewish religion made pariah, the Jews who followed Jesus as messiah had an easy decision to make: they could either maintain their cultic connections to their parent religion and thus share in Rome's enmity (Rome's enmity toward Christians would peak much later), or they could divorce themselves from Judaism and transform their messiah from a fierce Jewish nationalist into a pacifistic preacher of good works whose kingdom was not of this world.
As mentioned before, some pointed editing to shift blame away from Pilate made the gospel an easier sell in Rome.
...the Roman intellectual elite had become the primary target of Christian evangelism. Reaching out to this particular audience required a bit of creativity on the part of the evangelists. Not only did all traces of revolutionary zeal have to be removed from the life of Jesus, the Romans had to be completely absolved of any responsibility for Jesus's death. It was the Jews who killed the messiah. The Romans were unwitting pawns of the high priest Caiaphas, who desperately wanted to murder Jesus but who did not have the legal means to do so. The high priest duped the Roman governor Pontius Pilate into carrying out a tragic miscarriage of justice. Poor Pilate tried everything he could to save Jesus. But the Jews cried out for blood, leaving Pilate no choice but to give in to them, to hand Jesus over to be crucified. Indeed, the farther each gospel gets from 70 C.E. and the destruction of Jerusalem, the more detached and outlandish Pilate's role in Jesus's death becomes.
As with everything else in the gospels, the story of Jesus's arrest, trial, and execution was written for one reason and one reason only: to prove that he was the promised messiah. Factual accuracy was irrelevant. What mattered was Christology, not history. [italics mine]
It may be true that, centuries after Jesus's death, Christians would interpret these verses in such a way as to help make sense of their messiah's failure to accomplish any of the messianic tasks expected of him. But the Jews of Jesus's time had no conception whatsoever of a messiah who suffers and dies. They were awaiting a messiah who triumphs and lives.
One of the early Christians, Stephen, was stoned to death outside Jerusalem for his outrageous statement that Jesus was a divine being. This is a significant moment, says Aslan, in the history of Jesus -- it is perhaps the transitional instant between Jesus of Nazareth and Jesus the Christ.
The Son of Man, in Stephen's vision, is a preexistent, heavenly being whose kingdom is not of this world; who stands at the right hand of God, equal in glory and honor; who is, in form and substance, God made flesh. That is all it takes for the stones to start flying. Understand that there can be no greater blasphemy for a Jew than what Stephen suggests. The claim that an individual died and rose again into eternal life may have been unprecedented in Judaism. But the presumption of a "god-man" was simply anathema.
One can say that it was not only Stephen who died that day outside the gates of Jerusalem. Buried with him under the rubble of stones is the last trace of the historical person known as Jesus of Nazareth.
The story of the zealous Galilean peasant and Jewish nationalist who donned the mantle of messiah and launched a foolhardy rebellion against the corrupt Temple priesthood and the vicious Roman occupation comes to an abrupt end, not with his death on the cross, nor with the empty tomb, but at the first moment one of his followers dares suggest he is God. Stephen was martyred sometime between 33 and 35 C.E. Among those in the crowd who countenanced his stoning was a pious young Pharisee from a wealthy Roman city on the Mediterranean Sea called Tarsus. His name was Saul, and he was a true zealot...
A true zealot, who also, it must be said, reads like an obsessive megalomaniac, insisting that although others had known Jesus personally, he was in direct communication with Jesus spiritually. What followed -- sometimes played out in various epistles from the warring factions -- was a battle between Peter, James and the disciples and Paul, both sides claiming they were preaching as Jesus would have wished. Paul proved the more zealous in the long run.
Paul holds particular contempt for the Jerusalem-based triumvirate of James, Peter, and John, whom he derides as the "so-called pillars of the church". "Whatever they are makes no difference to me, " he writes. "those leaders contributed nothing to me." The apostles may have walked and talked with the living Jesus (or, as Paul dismissively calls him, "Jesus-in-the-flesh"). But Paul walks and talks with the divine Jesus: they have, according to Paul, conversations in which Jesus imparts secret instructions intended solely for his ears.
Those who did know Jesus -- those who followed him into Jerusalem as its king and helped him cleanse the Temple in God's name, who were there when he was arrested and who watched him die a lonely death -- played a surprisingly small role in defining the movement Jesus left behind. The members of Jesus's family, and especially his brother James, who would lead the community in Jesus's absence, were certainly influential in the decades after the crucifixion. But they were hampered by their decision to remain more or less ensconced in Jerusalem waiting for Jesus to return, until they and their community, like nearly everyone else in the holy city, were annihilated by Titus's army in 70 C.E. The apostles who were tasked by Jesus to spread his message did leave Jerusalem and fan out across the land bearing the good news. But they were severely limited by their inability to theologically expound on the new faith or compose instructive narratives about the life and death of Jesus. These were farmers and fishermen, after all; they could neither read nor write.
... [that] fell instead to a new crop of educated, urbanized, Greek-speaking Diaspora Jews who would become the primary vehicles for the expansion of the new faith. As these extraordinary men and women, many of them immersed in Greek philosophy and Hellenistic thought, began to reinterpret Jesus's message so as to make it more palatable both to their fellow Greek-speaking Jews and to their gentile neighbors in the Diaspora, they gradually transformed Jesus from a revolutionary zealot to a Romanized demigod, from a man who tried and failed to free the Jews from Roman oppression to a celestial being wholly uninterested in any earthly matter.
The discord between the two groups resulted in the emergence of two distinct and competing camps of Christian interpretation in the decades after the crucifixion: one championed by Jesus's brother, James; the other promoted by the former Pharisee, Paul. As we shall see, it would be the contest between these two bitter and openly hostile adversaries that, more than anything else, would shape Christianity as the global religion we know today.
The issue of the resurrection is of course a challenging one, for the historian as well as many theologians. Aslan (and most other New Testament scholars) return to the problem of Jesus as a "failed" messiah, which his followers chose to address by proclaiming his resurrection.
The disciples faced a profound test of their faith after Jesus's death. The crucifixion marked the end of their dream of overturning the existing system, of reconstituting the twelve tribes of Israel and ruling over them in God's name. The Kingdom of God would not be established on earth, as Jesus had promised. The meek and the poor would not exchange places with the rich and the powerful. The Roman occupation would not be overthrown. As with the followers of every other messiah the empire had killed, there was nothing left for Jesus's disciples to do but abandon their cause, renounce their revolutionary activities, and return to their farms and villages. Then something extraordinary happened. What exactly that something was is impossible to know. Jesus's resurrection is an exceedingly difficult topic for the historian to discuss, not least because it falls beyond the scope of any examination of the historical Jesus.
People seized it fiercely as truth, whether or not a matter of historical fact.
However, there is this nagging fact to consider: one after another of those who claimed to have witnessed the risen Jesus went to their own gruesome deaths refusing to recant their testimony. That is not, in itself, unusual. Many zealous Jews died horribly for refusing to deny their beliefs. But these first followers of Jesus were not being asked to reject matters of faith based on events that took place centuries, if not millennia, before. They were being asked to deny something they themselves personally, directly encountered.
They were beaten, whipped, stoned, and crucified, yet they would not cease proclaiming the risen Jesus. And it worked! Perhaps the most obvious reason not to dismiss the disciples' resurrection experiences out of hand is that, among all the other failed messiahs who came before and after him, Jesus alone is still called messiah. It was precisely the fervor with which the followers of Jesus believed in his resurrection that transformed this tiny Jewish sect into the largest religion in the world.
The gospels said the resurrection fulfilled Old Testament prophecies, but those prophecies seem to have disappeared.
"Thus it is written that the messiah would suffer and rise again on the third day," Jesus instructs his disciples (Luke 24:44-46). Except that nowhere is any such thing written: not in the Law of Moses, not in the prophets, not in the Psalms. In the entire history of Jewish thought there is not a single line of scripture that says the messiah is to suffer, die, and rise again on the third day, which may explain why Jesus does not bother to cite any scripture to back up his incredible claim.
Aslan returns to the rift between Paul and the Jerusalem-based apostles. Paul insists that Jesus marks a clear and necessary departure from Judaism; the others staunchly disagree, as the historical Jesus himself most likely would have.
[Paul] calls his fellow believers who continue to practice circumcision -- the quintessential mark of the nation of Israel -- "dogs and evildoers" who "mutilate the flesh" (Philippians 3:2). These are startling statements for a former Pharisee to make. But for Paul they reflect the truth about Jesus that he feels he alone recognizes, which is that "Christ is the end of the Torah" (Romans 10:4).
...That is not to say that James and the apostles were uninterested in reaching out to gentiles, or that they believed gentiles could not join their movement. As indicated by his decision at the Apostolic Council, James was willing to forgo the practice of circumcision and other "burdens of the law" for gentile converts. James did not want to force gentiles to first become Jews before they were allowed to become Christians. He merely insisted that they not divorce themselves entirely from Judaism, that they maintain a measure of fidelity to the beliefs and practices of the very man they claimed to be following (Acts 15:12-21). Otherwise, the movement risked becoming a wholly new religion, and that is something neither James nor his brother Jesus would have imagined. 
Jesus may have disagreed with the scribes and scholars over the correct interpretation of the law, particularly when it came to such matters as the prohibition against working on the Sabbath. But he never rejected the law. On the contrary, Jesus warned that "whoever breaks one of the least of these commandments and teaches others to do so, will be called least in the kingdom of heaven" (Matthew 5:19).
...One would think that Jesus's admonishment not to teach others to break the Law of Moses would have had some impact on Paul. But Paul seems totally unconcerned with anything "Jesus-in-the-flesh" may or may not have said. In fact, Paul shows no interest at all in the historical Jesus.
...Why does Paul go to such lengths not only to break free from the authority of the leaders in Jerusalem, but to denigrate and dismiss them as irrelevant or worse? Because Paul's views about Jesus are so extreme, so beyond the pale of acceptable Jewish thought, that only by claiming that they come directly from Jesus himself could he possibly get away with preaching them.
There was a council in Jerusalem in which Paul met with James, Peter, et al to discuss matters, but both sides gave different accounts of the result. Ultimately, Paul remained unchastened and continued to preach his own Christology. Was he mad, egomaniacal, both, neither? The battle resumed.
...almost immediately after Paul left Jerusalem, James began sending his own missionaries to Paul's congregations in Galatia, Corinth, Philippi, and most other places where Paul had built a following, in order to correct Paul's unorthodox teachings about Jesus.
Nevertheless, James's delegations seem to have had an impact, for Paul repeatedly lambastes his congregations for abandoning him: "I am amazed at how quickly you have deserted the one who called you" (Galatians 1:6). He implores his followers not to listen to these delegations, or to anyone else for that matter, but only to him.
Even if that gospel comes "from an angel in heaven," Paul writes, his congregations should ignore it (Galatians 1:8). Instead, they should obey Paul and only Paul: "Be imitators of me, as I am of Christ" (1 Corinthians 11:1).
Making less headway than he might have wished with his campaign to convince Jews to renounce their customs and law -- especially the Hellenised diaspora Jews -- Paul turned his evangelical fervour toward the gentiles.
But according to Acts, the Hellenists in Rome reacted so negatively to Paul's preaching that he decided to cut himself off once and for all from his fellow Jews "who listen but never understand -- who look but never perceive." Paul vowed from that moment on to preach to none but the gentiles, "for they will listen" (Acts 28:26-29).
Jesus's brother, James, was identified by a number of texts including Josephus' histories and the non-canonical Gospel of Thomas, as being the man appointed by Jesus to lead the movement after his own death. Furthermore, James was known by the moniker James the Just. So what happened? Theological exigencies struck again.
Why then has James been almost wholly excised from the New Testament and his role in the early church displaced by Peter and Paul in the imaginations of most modern Christians?
James's identity as Jesus's brother became an obstacle to those who advocated the perpetual virginity of his mother Mary.
This has turned into what is possibly my longest post on Bookface, which reflects the thought and conflict Zealot provoked. It widened the gulf between Jesus of Nazareth and Jesus the Christ, the latter being largely the product of human editing in response to the political and theological realities of the times. Jesus of Nazareth was a Jew, preaching to and for Jews -- the Kingdom of God that he promoted was a Judea free of gentile occupation, in which the Jews could finally be ruled by their God and live under His law. The message has since been modified, or generalised or extrapolated to have universal significance. That's not to say that the Christian message is a bad one, but it is certainly not what Jesus of Nazareth had in mind. When we exalt Jesus the Christ, are we venerating nothing more than a phantom, a construction of Paul's fervour? I'm likely to wrestle with these ideas for the rest of my life, but I'm thankful to Reza Aslan for his contributions to the process.

Thursday, September 12, 2013

The Apprentice, by Tess Gerritsen

Nicholas Lam, the blind audio librarian at Malaysian Association for the Blind, asked me to record some fiction by Chinese authors, "but not Amy Tan, please."  She's not been a hit at MAB. Tess Gerritsen, her Scandinavian married name notwithstanding, is Chinese American, a former surgeon who pens medical thrillers and lives in my former home state of Maine. Nicholas gave The Apprentice the nod.  

The story is set in another of my old stomping grounds, Boston. Detective Jane Rizzoli realises that a grisly new spate of killings looks like the handiwork of the Surgeon -- a murderer who had a deft touch with a scalpel, but who is serving his life sentence in a high-security prison. The only explanation? The new "unsub" (unknown subject) must be a fan of the Surgeon, or even his apprentice in crime.

Unlike the killers in much of the Nordic noir that I read, these murderers are not normal people caught up in bad situations. They are patently insane, rivalling the villains in the Hannibal Lecter novels for pure, gut-clenching psychopathology. Clearly Dr. Gerritsen has done her homework in forensic psychology as well as her share of post mortem sleuthing. She has also stepped beyond the medical arena and got deeply into the heads of the homicide detectives who track these monsters.

After Warren Hoyt (the Surgeon) pulls off an audacious and bloody escape, he and his "apprentice" begin to hunt and kill together, each having skills and cravings that satisfy the other.  Detective Rizzoli goes to the penitentiary from which Hoyt escaped, hoping to get some ideas about who had been communicating with him during his incarceration. To her horror and disgust, the prison warden shared with her quite a stack of "fan mail", much of it sent by women who had watched the saga of his arrest and trial in the media. The fact that he was convicted of murdering young women much like themselves didn't seem to put them off in the slightest. I doubt Dr. Gerritsen pulled this detail out of thin air; I find it no less mystifying and repellent than does Jane Rizzoli.
She saw a variety of stationery, a few pastels and florals, and one imprinted with Jesus saves. Most absurd of all was the stationery decorated with images of frolicking kittens. Yes, just the thing to send to the Surgeon. How amused he must have been to receive that. She opened the envelope with the kittens and found a photo inside, of a smiling woman with hopeful eyes. Also enclosed was a letter, written in a girlish hand, the i's dotted with cheery little circles: "To: Mr. Warren Hoyt, Prisoner Massachusetts Correctional Institute. Dear Mr. Hoyt, I saw you on TV today, as they were walking you to the courthouse. I believe I am an excellent judge of character, and when I looked at your face, I could see so much sadness and pain. Oh, such a great deal of pain! There is goodness in you; I know there is. If only you had someone to help you find it within yourself . . . "
At one point, whilst riding in an airport limousine, Rizzoli considers that a limo or taxi driver would have the credentials of the killer she is seeking, the Surgeon's apprentice. We have an unfortunate tendency to imagine killers as conspicuous monsters. A deadly error, she thinks, as she regards the face of her driver in the rear-view mirror.
A face that no one would register from the back seat of a car. They are the faceless army dressed in uniforms, she thought. The people who clean our hotel rooms and haul our luggage and drive the limousines in which we ride. They move in a parallel world, seldom noticed until they are needed. Until they intrude into ours.
This is just the sort of book the blind readers at MAB love -- plenty of action, but with enough technical detail and psychological depth to keep them engaged. The fact the the author is of Chinese descent is totally irrelevant to the plot, but that part of the original request seems to have been forgotten. The request now is for more Tess Gerritsen.  

Tuesday, September 10, 2013

The Subtle Knife, by Philip Pullman


The Subtle Knife is the second book in the His Dark Materials trilogy. I was giddy in love with the first book, Northern Lights.  I adored the settings and the characters that were so much like those in our own world, but slyly different.

Plucky young Lyra carries on in the second novel, in which she teams up with Will, a teen-aged boy from a different Oxford -- or maybe the same Oxford but in a different time, or different dimension.  They discover, however, that their are links between their two worlds. Will's missing father is in fact the great northern explorer whom Lyra's father, Lord Asriel, was seeking in the first book.

The two youngsters pass between worlds using a mysterious portal that Will discovered.  It's not long, however, before he comes into possession of the Subtle Knife -- an extraordinary tool which can cut nearly anything in any world, and it can open portals between worlds, as well. Not surprisingly, a great many people would like to have this knife, including Mrs. Coulter, Lyra's wicked and power-mad mother.

People in the new world in which Lyra and Will find themselves live in terror of the Shadows -- invisible life forms which prey upon and draw the vitality from adults, leaving them little more than walking shells. Like the mysterious Dust in Northern Lights, the Shadows appear to have no interest in children.  Lyra travels into Will's Oxford and tracks down a scholar to help her understand these ephemeral things.  Dr. Malone is a typically over-tired and under-funded university scientist who seems to find in her young visitor an eager and receptive audience for her theories on Shadows.  Lyra may be young, but she has some very definite opinions about the role of science in the world (whatever world you happen to be living in at the moment.)
"You know what? They're conscious. That's right. Shadows are particles of consciousness. You ever heard anything so stupid? No wonder we can't get our grant renewed." She sipped her coffee. Lyra was drinking in every word like a thirsty flower. "Yes," Dr. Malone went on,"they know we're here. They answer back. And here goes the crazy part: you can't see them unless you expect to. Unless you put your mind in a certain state. You have to be confident and relaxed at the same time. You have to be capable -- Where's that quotation?" She reached into the muddle of papers on her desk and found a scrap on which someone had written with a green pen. She read: "'Capable of being in uncertainties, mysteries, doubts, without any irritable reaching after fact and reason.' You have to get into that state of mind. That's from the poet Keats, by the way. I found it the other day."
"But what I want to know is, why do the people in my world hate it? Dust, I mean, Shadows. Dark matter. They want to destroy it. They think it's evil. But I think what they do is evil. I seen them do it. So what is it, Shadows? Is it good or evil, or what?" Dr. Malone rubbed her face and turned her cheeks red again.
"Everything about this is embarrassing," she said. "D'you know how embarrassing it is to mention good and evil in a scientific laboratory? Have you any idea? One of the reasons I became a scientist was not to have to think about that kind of thing."
"You got to think about it," said Lyra severely. "You can't investigate Shadows, Dust, whatever it is, without thinking about that kind of thing, good and evil and such..."
Although it's a remarkable piece of fantasy fiction, I think The Subtle Knife has a mild case of Sequel Syndrome.  It feels as if Mr. Pullman looked at the marvellous success of Northern Lights and sat back down at his desk with the intention of topping it.  Call me a simple, three-dimensional girl, but I could have done nicely without multiple concurrent universes and characters who pop back and forth between them. This, however, will not stop me looking forward to the third volume in the trilogy.

Monday, August 19, 2013

Plainsong, by Kent Haruf

I've been living in cities for too long, and I've gone soft.  The plain in this novel's title refers to the flatlands in eastern Colorado, where people raise livestock and crops, not high-rise buildings and investment schemes. When I was very young, my father was a large-animal vet in a very small dairy-farming village. A different topology from Haruf's fictional town of Holt, but with the same sort of earthy, mostly very decent people.

Haruf's scenes of cattle ranchers pulling a contorted calf from a cow's prolapsed uterus using a heavy calving chain made me want to wail and scream, as did his description of a horse going down and dying from an intestinal torsion.  The details of the vet's on-the-spot autopsy were... vivid.  As I was blanching and cringing, though, I could hear my late father's snorts of derision. Life in the big city?  This is life in the big country. And it's often bloody and rough. Oddly enough, though, ranchers and farmers -- unlike urbanites -- tend to develop callouses on their hands rather than their hearts and minds.

Mr. Haruf has pulled off a mean feat with the characters in Plainsong:  They are deeply lovable without being saccharine sweet and memorable despite having no pronounced character quirks. They are ordinary people writ large and splendidly drawn.

Victoria Roubideaux is 17 and pregnant, locked out of her home by her mother, who is still bitter about her alcoholic husband's abandonment. Victoria seeks shelter with one of her schoolteachers, Maggie Jones. Maggie shares a house with her elderly, senile father and can't shelter the girl for long. In what is either a stroke of genius or a moment of lunacy, she decides to ask a pair of gruff old cattlemen -- the McPheron brothers, who never married and live together on a ranch well outside of town -- if they might be able to give shelter to the pregnant teen. Raymond and Harold McPheron politely listen to her proposition, assure her they'll consider it, and proceed through the day's chores without another word about it. As evening falls, Harold is stunned to realise that his brother is actually thinking of taking the girl in.
...why hell, look at us. Old men alone. Decrepit old bachelors out here in the country seventeen miles from the closest town which don't amount to much of a good goddamn even when you get there. Think of us. Crotchety and ignorant. Lonesome. Independent. Set in all our ways. How you going to change now at this age of life?
I can't say, Raymond said. But I'm going to. That's what I know.
And what do you mean? How come she wouldn't be no trouble?
I never said she wouldn't be no trouble. I said maybe she wouldn't be as much trouble.
Why wouldn't she be as much trouble? As much trouble as what? You ever had a girl living with you before?
You know I ain't, Raymond said.
Well, I ain't either. But let me tell you. A girl is different. They want things. They need things on a regular schedule. Why, a girl's got purposes you and me can't even imagine. They got ideas in their heads you and me can't even suppose. And goddamn it, there's the baby too. What do you know about babies?
Nothing. I don't even know the first thing about em, Raymond said...
...You're getting goddamn stubborn and hard to live with. That's all I'll say. Raymond, you're my brother. But you're getting flat unruly and difficult to abide. And I'll say one thing more.
What?
This ain't going to be no goddamn Sunday school picnic.
No, it ain't, Raymond said. But I don't recall you ever attending Sunday school either. 
Another Holt family consists of Tom Guthrie, also a teacher at the high school, his sons Ike and Bobby (9 and 10 years old and inseparable), and his estranged wife, a shadowy figure whose emotional stability seems to increase in direct proportion to the distance she can put between herself and them.  When the novel opens, she has withdrawn to the darkened guest room bed and can barely manage to get out of it. She progresses to a small rented house in Holt, and then to her domineering older sister's apartment in Denver, with her husband and sons doing their best to understand and carry on.

Bobby and Ike have daily paper routes, so they set out early each morning on their bicycles to collect the papers from the train station and then pedal around the town to deliver them. On Saturday mornings, they go to the doors to collect payment for the week's papers. They approach Iva Stearns' place with dread. An overweight, cranky woman who shuffles around her cluttered apartment with the aid of two canes, always wearing the same house dress and apron, Iva peppers them with seemingly random questions. They are too young to understand that, despite her grouchy demeanour, she is truly lonely and starved for company, even that of two little boys. Ostensibly to save herself the effort of getting out of her chair to answer the door, she gives them a key to her apartment and tells them to come in whenever they'd like to. When their mother leaves town for Denver, Bobby and Ike find themselves dropping in to visit old Mrs. Stearns. She sends them to the grocer to buy a few ingredients for oatmeal cookies. As the crotchety old woman talks them through the recipe, it becomes evident that her intentions go beyond giving the boys a treat to console them on that afternoon. She's teaching them some survival skills for a life without mother.
All right, she said. You understand? If you can read you can cook. You can always feed yourselves. You remember that. I'm not just talking about here. When you go home too. Do you understand what I'm saying?
Meanwhile, the McPheron brothers report to Maggie Jones that Victoria goes straight into her room after washing the supper dishes every evening. Maggie wonders if they talk to her. They look at Maggie and each other with soup-plate eyes. Talk to her? About what?!  That evening, Harold summons his courage to initiate a conversation by asking Victoria for her opinion on buying or selling soybeans, based on the day's commodities report. To her eternal credit, Victoria asks him for more information on the subject, and both brothers eagerly set out to discuss with her the business of farming.
Now you want to sell some of it off. So you call up the elevator and tell him to sell off five thousand bushel, say. So he sells it at today's prices and then the big grain trucks, those tractors and trailers you see out on the highway, they haul it away.
Who does he sell it to? the girl said.
Any number of places. Most likely to the milling company. Mostly it goes for your baking flour. Then when do you get your money? He writes you out a check today. Who does that? The elevator manager. Except if there's a storage charge, Harold said, taking his turn again. He takes that out. Plus your drying charge, if there is one. Only, since it's wheat we're talking about, there's never much drying charge with wheat. Mostly that's with your corn.
They stopped again and studied the girl once more. They had begun to feel better, a little satisfied with themselves. They knew they were not out of the woods yet, but they had begun to allow themselves to believe that what they saw ahead was at least a faint track leading to a kind of promising clearing. They watched the girl and waited...
And so the two McPheron brothers went on to discuss slaughter cattle and choice steers, heifers and feeder calves, explaining these too, and between the three of them they discussed these matters thoroughly, late into the evening. Talking. Conversing. Venturing out into various other matters a little too. The two old men and the seventeen-year-old girl sitting at the dining room table out in the country after supper was over and after the table was cleared, while outside, beyond the house walls and the curtainless windows, a cold blue norther began to blow up one more high plains midwinter storm.

Saturday, August 17, 2013

Letters of Sylvia Townsend Warner, edited by William Maxwell

A few months ago, I shipped an antique Bhutanese dressing gown from Kuala Lumpur back to its owner in Aberdeenshire, Scotland.  By way of thanks, he sent me three books by Sylvia Townsend Warner, including this collection of her letters.  Not only did Professor Davidson hit my literary tastes right on the nose, the gift card offered an example of his exquisite penmanship.  The combination of these two items makes me realise that both are on the cusp of oblivion:  so few of us write anything by hand any more that our collective penmanship has gone to the dogs. Moreover, the advent of e-mail has made letters seem more archaic than Peter's dressing gown. My generation is the last to have corresponded by post on a regular basis, and I've always loved reading collections of letters, a genre that is now extinct.  I suppose publishers could collect authors' e-mail messages, but I doubt they'll be of the calibre that writers previously committed to paper.

My dear, bookish friend Mark introduced me to STW. I was reading T. H. White's The Once and Future King at the time and was raving about it over cocktails. Mark mentioned that STW had written a remarkable biography of White, and had I read it?  I hadn't, and I immediately added it to my 'must read' list.  In early August, I came across a copy of Lolly Willowes so read that instead.  Shortly after that, the parcel arrived from Aberdeenshire with this collection of letters, The Kingdoms of Elfin (a collection of short stories published late in her life), and a book about Somerset.

Because collected letters are to a number of different recipients, they illuminate multiple facets of their writer, and these show STW to be a polymath, a polyglot, a generally erudite individual.  Her letters to Paul Nordoff, a composer, indicate her own knowledge of musical history and composition. To other writers and editors, she reveals the depth and breadth of her reading. Her passion for nature bubbles up in nearly every letter she wrote, and her unshakeable love for Valentine Ackland is as constant in her correspondence as it was in her life.

Sylvia met Valentine, a poet, in 1930.  Except for a short hiatus (when Valentine carried on with a younger American woman), they lived together until Valentine's death from cancer in 1969.  As I read the letters, it struck me how openly Sylvia discussed their relationship, making clear in her letters that they not only shared a house and a life but also a bed -- all the more remarkable when contrasted with Alan Turing's prosecution for homosexuality in 1952.  Although certainly never solemnised in a church, Sylvia and Valentine's partnership was a marriage, and the letters Sylvia wrote at the time of Valentine's death reduced me to aching tears.

To Paul Nordoff (composer), 5 January 1946.  Rest assured she read "the whole of Balzac" in the original French.
Last winter I read the whole of Balzac -- except Seraphita; and was left with my mouth as open as the Queen of Sheba's... Have you ever thought of making an opera from Balzac? La Duchesse de Langeais, for instance, or Ferragus, any of the impassioned social ones, ought to work up into a grand opera like eggs into a sauce Bernaise, the duchesses so shrillingly soprano, the villains so profoundly basso, the situations floating in moonlight and limelight, and Balzac's genius roaring through it all like a quartet of saxophones. A total absence of refinement... I suppose that is his secret. All I know for certain is that the works of Balzac kept me from death last winter.  
Again to Paul Nordoff dated 1 December 1946 she writes about her Somerset book project. (A copy of the result is now on my bookshelf, and at first glimpse, I would say she did in fact "manage to do better".)
... a commission to write a small book about Somerset. Just now I am in the midst of reading the many books about Somerset which have already been written. I am consoled for the numerousness by not finding one among them that I can enjoy. They all hurry like anxious Satans over the face of the earth, and never once do these breathless authors stop in a wood and smell the smell of the country. I hope I shall manage to do better.  
 Editor William Maxwell (who, as editor of the New Yorker also published many of STW's short stories) labels one letter as "To a friend who had inconveniently fallen in love", dated 11 May 1951.  Sylvia and Valentine had just recently reunited after the latter's dalliance.
...say no more, think no more, about perhaps losing [    ] to someone else. To think of losing is to lose already. To consider a rival fattens an insubstantial into a real being. Since you are in the river, darling, SWIM! And if that hypothetical younger person comes into your mind, think of me. Here I am, grey as a badger, wrinkled as a walnut, and never a beauty at my best; but here I sit, and yonder sits the other one, who had all the cards in her hand -- except one. That I was better at loving and being loved.  
As a woman who lived outside the social norms, STW was sympathetic to others who did the same, especially women. This is a letter to Dorothy Hoskins on 30 July 1954.
...I find drinkers very congenial. There is a generosity in their recklessness. We had a drinking old lady as a neighbour for many years, and I had the greatest esteem for her because she knew what she wanted (not many women do), and was so grandly ready to hazard her health, her last thirty shillings (she was very poor), her peace of mind (for, pious pressure being what it is, she was always exposed to waking up in the middle of the night and thinking, I've done for myself, I shall fall into the oilstove or get cancer), for what she really wanted. As for respectability, and all that, she had thrown it away long ago. In the upshot, she was very well thought of by all the village boys, who ran her errands and ate her apples, and died as tidily as you could wish of heart failure. If there is a heaven, I am sure she went there like a cork from a champagne bottle.   
The letters that STW wrote at the time of Valentine's death are truly remarkable. Her grief takes on a beautiful form, and her love just radiates from them, undiminished. She wrote to William Maxwell on 11 November 1969, two days after Valentine died in their home.
...This evening her coffin was carried out of the house and put in a forget-me-not blue van -- which would have surprised her. I heard her spirit laughing beside me.
I am passionately thankful that she is out and away, and that in a fashion we are back where we were, able to love freely and uncompromised by anxiety and doubtful hopes and miseries of frustration. One thinks one has foreseen every detail of heart-break. I hadn't. I had not allowed for the anguished compassion and shock of hearing her viola voice changed to a pretty, childish treble, the voice of a sick child.
Death transfigured her. In a matter of minutes I saw the beauty of her young days reassert itself on her blurred careworn face. It was like something in music, the re-establishment of the original key, the return of the theme.
Don't think I am unhappy and alone, dear William. I am not. I am in a new country and she is the compass I travel by.  
And on 27 November 1969, she wrote to two sisters and long-time friends, Marchette and Joy Chute.
My dear Darlings,
Your kind hearts will want to know how I am getting on.
Well, not too badly for a one-winged partridge (did you know the partridge is the emblem of fidelity?). There is a great deal to do, which I am thankful for, but as I slog on doing it I am revived by coming on fragments by her, letters, passages copied from everyone you can think of, feathers (she loved all small feathers) deposits in pockets, always including a pencil & a pocket comb, but also including lumps of sugar in case of a deserving horse, chocolate drops for dogs, interesting pebbles, small notes from me on the lines of 'Remember to have coffee' 'Keep warm' 'Come back soon'.
Her love is everywhere. It follows me as I go about the house, meets me in the garden, sends swans into my dreams. In a strange, underwater or above-earth way I am very nearly happy. 
This is a book that one can (and I will) pull off the shelf, open to a random page and be sure of finding something delightful. Given the prodigious numbers of letters that STW wrote, William Maxwell did an outstanding job of editing this collection, both in terms of selecting letters and passages and leaving the original text intact. STW once groused, "USA publishers have a habit of what they call 'editing in accordance with American procedure'. This means they rearrange one's paragraphs, alter one's punctuation, and generally bedevil the text."  Mr. Maxwell, her long-time editor and friend, humbly remarked, "I have tried not to bedevil the text."



Monday, August 12, 2013

The Razor's Edge, by W. Somerset Maugham

A few years ago, I read what is probably Maugham's best-known book, Of Human Bondage and was less than thrilled with it. I seem to remember flipping through somewhat impatiently, wishing that the narrator would pull himself together and take charge of his life rather than tormenting us readers with his gloomy and miserable introspection for several hundred pages.

Since then, I've resolved to give each book a fair chance, and if it hasn't convinced me that I should spend more time with it after, say, the first 100 pages, I'm going to set it aside. There are two drawbacks to this plan. First, e-books have no page numbers, so it's a matter of guesswork when I have reached the 100-page mark, and second, setting a book aside unfinished leaves me feeling not resolute but defeated. I just enforced this new policy on Graham Greene's The Power and the Glory, and especially after being so enthusiastic about The Heart of the Matter, I felt sure this was my failure, not Mr. Greene's.

The Razor's Edge was on Anthony Burgess' trusty list of 99 best novels, and this list has served me well, so I gave it a go. I loved it. It was a timely reminder that we rarely respond consistently to an author's various works. I've given unbroken thumbs up to Hilary Mantel and David Mitchell, and equally persistent thumbs down to Saul Bellow, but most authors have elicited a wider range of reactions, and Maugham is one of those.

The Razor's Edge opens with an epigraph, a passage from the Katha-Upanishad:  "The sharp edge of a razor is difficult to pass over ; thus the wise say the path to Salvation is hard."  This immediately captured my attention, because it struck me as incongruous, a bit esoteric for an English novel of this period (pub date 1944). Moreover, the book doesn't have the typical structure of a novel -- it reads more like an extended series of journal entries, a pastiche of character sketches with the narrator, Maugham himself, relaying his conversations with them over a period of decades. Blessedly, Maugham has a brilliant eye for characters, and although his observations might fall into the category of highbrow gossip, they are enough to draw readers in and keep them curious.

First he introduces us to Elliott Templeton, an American who has wheedled his way into the uppermost reaches of European society in the early 1900s. Elliott's place in the best salons and dinner parties is his crowning achievement, the proof of his success after many years of ingratiating himself with the right people.
Believe me, my dear fellow, the average American can get into the kingdom of heaven much more easily that he can get into the Boulevard St. Germain.
When he travels to Chicago to visit family, Elliott invites Maugham to come along. Here he meets Isabel Bradley, Elliott's effervescent niece. She comments upon his "power of observation", the acuity of which will send her into tantrums later in the book.
"Uncle Elliott says he's often been surprised at your power of observation. He says nothing much escapes you, but that your great asset as a writer is your common sense."
"I can think of a quality that would be more valuable," I answered dryly. "Talent, for instance."
It is at this same dinner party that Maugham meets Larry Darrell, Isabel's fiance and the central character around whom the story revolves. Larry returned from WWI seemingly a bit shell-shocked, but now, a year later, he still seems disinclined to align himself with a profession. Adrift is the word, and Elliott insists that Isabel not marry the young man until he has settled down in a suitable line of work. Everyone adores Larry -- he is very congenial -- but they all agree that he's marching to an unconventional drummer. In a conversation with two of Larry's friends, Maugham gets confirmation of his own sense that Larry is on a spiritual quest, and even a life in the arts is unlikely to get him where he wants to go.
"A degree would be of no use to him. I have an inkling that he had a definite idea of what he wanted and felt he couldn't get it at a university. You know, in learning there's the lone wolf as well as the wolf who runs in the pack. I think Larry is one of those persons who can go no other way than their own."
"I remember once asking him if he wanted to write. He laughed and said he had nothing to write about."
"That's the most inconclusive reason for not writing that I've ever heard," I smiled.
Long before the Beats and the Beatles made their eastward pilgrimages, Larry journeys to India and is mesmerised by the holy men that he meets there. He follows one guru for some months and then, after an ecstatic vision during a mountain retreat, he thanks his teacher and returns to Europe. He tells Maugham, who listens politely, about this experience and about the yogi.
"And what had he got that particularly attracted you?" Larry looked at me for a full minute before answering. His eyes in their deep sockets seemed as though they were trying to pierce to the depths of my soul. "Saintliness." I was slightly disconcerted by his reply. In that room, with its fine furniture, with those lovely drawings on the walls, the word fell like a plop of water that has seeped through the ceiling from an overflowing bath.
Meanwhile, since Larry had not responded favourably to her ultimatum, Isabel married a mutual friend of theirs, Gray, a young and wealthy financier who adores her and can afford the lifestyle she craves. As Maugham runs into them here and there, in Europe and the US, when their fortune was intact and in tatters after the Crash, he realises that Isabel has never stopped loving Larry, impractical though it is.
Gray was driving and Larry was sitting beside him; Isabel and I were at the back. We were tired after the long day. Larry sat with his arm stretched out along the top of the front seat. His shirt-cuff was pulled back by his position and displayed his slim, strong wrist and the lower part of his brown arm lightly covered with fine hairs. The sun shone goldenly upon them. Something in Isabel's immobility attracted my attention, and I glanced at her. She was so still you might have thought her hypnotized. Her breath was hurried. Her eyes were fixed on the sinewy wrist with its little golden hairs and on that long, delicate, but powerful hand, and I have never seen on a human countenance such a hungry concupiscence as I saw then on hers. It was a mask of lust. I should never have believed that her beautiful features could assume an expression of such un-bridled sensuality. It was animal rather than human. The beauty was stripped from her face; the look upon it made her hideous and frightening. It horribly suggested the bitch in heat and I felt rather sick. She was unconscious of my presence; she was conscious of nothing but the hand, lying along the rim so negligently, that filled her with frantic desire. Then as it were a spasm twitched across her face, she gave a shudder and shutting her eyes sank into the comer of the car. "Give me a cigarette," she said in a voice I hardly recognized, it was so raucous. I got one out of my case and lit it for her. She smoked it greedily. For the rest of the drive she looked out of the window and never said a word.
Now Maugham's keenly observant eye is something that Isabel resents, and his bluntness in conversation aggravates her further. The writer asks her if she regrets her decision to marry Gray, and indeed, if she ever thinks of divorcing him.
"I've got no reason for divorcing him."
"That doesn't prevent your countrywomen from divorcing their husbands when they have a mind to."
She laughed. "Why d'you suppose they do it?"
"Don't you know? Because American women expect to find in their husbands a perfection that English women only hope to find in their butlers."
Meanwhile, Elliott is aging and times are changing in Europe. The old aristocracy is slowly giving way to the nouveau riche. As with every other profession, the senior socialite must keep a chary eye on those who would supplant him.
Paul Barton was the young American whom Elliott had introduced into London society and who had aroused his hatred by dropping him when he no longer had any use for him. He had been somewhat in the public eye of late, first because he had adopted British nationality and then because he had married the daughter of a newspaper magnate who had been raised to the peerage. With this influence behind him and with his own adroitness it was evident that he would go far. Elliott was very bitter.
"Whenever I wake up in the night and hear a mouse scratching away in the wainscoat I say, 'That's Paul Barton climbing.'"
In one of the most insightful passages about Elliott's demise, Maugham describes a Princess who declines to invite Elliott to a party at her chateau on the Riviera. Maugham tries to console his friend by reassuring him that the hostess is not worth the heartbreak.
She was not a bad sort, generous and hospitable, and her only grave fault was her malicious tongue. She could not help saying beastly things about even her intimate friends, but she did this because she was a stupid woman and knew no other way to make herself interesting. Since her slanders were repeated she was often not on speaking terms with the objects of her venom, but she gave good parties and most of them found it convenient after a while to forgive her.
Elliott, however, sees this snub as the end of an era, the end of his era.
Elliott, sitting up in bed, rocked to and fro like a woman distraught. "Oh, it's so unkind," he said. "I hate them, I hate them all. They were glad enough to make a fuss of me when I could entertain them, but now I'm old and sick they have no use for me. Not ten people have called to inquire since I've been laid up, and all this week only one miserable bunch of flowers. I've done everything for them. They've eaten my food and drunk my wine. I've run their errands for them. I've made their parties for them. I've turned myself inside out to do them favours. And what have I got out of it? Nothing, nothing, nothing. There's not one of them who cares if I live or die. Oh, it's so cruel." He began to cry. Great heavy tears trickled down his withered cheeks. "I wish to God I'd never left America."
Ever the loyal friend, Maugham contrives to speak with Miss Keith, the Princess' dour Scottish secretary in an attempt to finagle an invitation for Elliott. Miss Keith, however, is no soft touch. She's been working for the wealthy for too long.
"You know what she is. She's got a down on him. She crossed his name out on the list herself."
"He's dying, you know. He'll never leave his bed again. He's awfully hurt at being left out."
"If he wanted to keep in with the Princess he'd have been wiser not to tell everyone that she goes to bed with her chauffeur. And him with a wife and three children."
"And does she?"
Miss Keith looked at me over her pince-nez. "I've been a secretary for twenty-one years, my dear sir, and I've made it a rule to believe all my employers as pure as the driven snow. I'll admit that when one of my ladies found herself three months gone in the family way when his lordship had been shooting lions in Africa for six, my faith was sorely tried, but she took a little trip to Paris, a very expensive little trip it was too, and all was well. Her ladyship and I shared a deep sigh of relief."
When Elliott at last leaves this vale of tears (without having attended the party in question), Maugham imagines what sort of heaven might await him. It would necessarily be exclusive.
I suspected that Elliott saw the celestial habitations in the guise of the chateaux of a Baron de Rothschild with eighteenth-century panelling on the walls, Buhl tables, marquetry cabinets and Louis Quinze suites covered with their original petit-point. "Believe me, my dear fellow," he went on after a pause, "there'll be none of this damned equality in heaven."
Maugham begins the final chapter of the novel on an odd note:
I feel it right to warn the reader that he can very well skip this chapter without losing the thread of such story as I have to tell, since for the most part it is nothing more than the account of a conversation that I had with Larry. I should add, however, that except for this conversation I should perhaps not have thought it worth while to write this book.
And in this last chapter, Larry reveals his own journey, which, although peripatetic, feels like the most solidly grounded aspect of the whole story.  At one point, distraught as he tries to comprehend the evils he witnessed during the war, Larry speaks with a priest, Father Ensheim, who offers some advice.
"'Then you've been reading for four years? Where have you got?' " 'Nowhere,' I said. "He looked at me with an air of such radiant benignity that I was confused. I didn't know what I'd done to arouse so much feeling in him. He softly drummed his fingers on the table as though he were turning a notion over in his mind. " 'Our wise old Church,' he said then, 'has discovered that if you will act as if you believed belief will be granted to you; if you pray with doubt, but pray with sincerity, your doubt will be dispelled; if you will surrender yourself to the beauty of that liturgy the power of which over the human spirit has been proved by the experience of the ages, peace will descend upon you.'"
Larry spent his life following the advice of a wide assortment of spiritual guides, both in person and in print, and in the end, by Maugham's estimation, did arrive in a state of relative grace. Wondering how to conclude the story, Maugham finally decided that it was a story of success for everyone involved:  Elliott achieved social success, Isabel also lived a life of comfortable security and social status, and Larry consistently developed his spiritual enlightenment. I couldn't help but feel that Larry's life was ultimately the one of greatest contentment, but I don't know if that's what Maugham intended to suggest, or my own preferences at work.

Not too long ago, I downloaded an ebook, The Lives of the Novelists by John Sutherland.  I find it useful as a reference book rather than a volume to read cover to cover. Sutherland's chapter on Maugham rang especially true after reading The Razor's Edge. It made me realise that the author put much more of himself into the character of Elliott than into the character of Larry. And that wickedly keen sense of observation, impressive though it was, earned him some enemies.
The eye that looked on was cold and, in later life, was everywhere seen as reptilian: "The Lizard of Oz," Noel Coward called him.
Maugham once wrote that he was 1/4 homosexual and 3/4 heterosexual and only later admitted that he'd got the numbers backward. He married a wealthy divorcee, Syrie Wellcome, when she became pregnant, but it was a short and unhappy marriage. Thereafter he stayed with men, including his secretary, Alan Searle (whom Sutherland classifies as rough trade). These relationships may have been more authentic, but they scarcely seem happier, and his end sounds every bit as fraught and tragic as Elliott Templeton's.
He visited England regularly until the publication of a late-life memoir, Looking Back, in 1962. It was judged ungentlemanly in its attack on the recently dead Syrie, and led to his being ostracised by fellow members of the Garrick. It devastated him. Alone with Alan, he wept and wept -- the two of them returned to the Mauresque -- and Maugham never came to England again. Three years later he died, aged ninety, mad, raving and wretched.